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Introduction
Trailer
Cast
Crew
Synopsis
Biographies
Clips
Stills
Interview
with writer/co-director Joshua Cody
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Paul
Bozymowski, Director/Cinematographer
Paul Bozymowski is a New York based director and cinematographer.
He attended Northwestern University
where he developed a multi-disciplined approach to filmmaking by directing,
shooting, and editing his own films, and by experimenting with multimedia
performance and presentation, as well as theatrical directing. In
1998, he joined the entertainment powerhouse @radical.media.
As a director, he’s examined the impact of climate change on
three separate occasions for Conservation
International, the most recent of which featured a striking interview
with Vice President Al Gore.
His documentary on the closing of the Broadway musical Rent
was called “marvelous” by the Washington Post. His most
recent documentary film, In
The Heights: Chasing Broadway Dreams, premiered on PBS’
Great Performances series in 2009. His first narrative feature
The Standard Man with filmmaking partner Joshua Cody is hitting
the festival circuit in 2009. In his role as a cinematographer, Paul
has participated in a multitude of projects, including Iconoclasts
for the Sundance Channel directed by Joe Berlinger and Bruce Sinofsky,
the feature documentary Brotherhood directed by Academy Award
nominated Lilibet Foster, and The
Victoria's Secret Fashion Show on CBS.
Joshua Cody, Director/Writer/Music
Joshua Cody studied film and music at Northwestern
University (bachelor's degree) and Columbia
University (master's) and music and technology at the L’Institut
de Recherche et Coordination Acoustique / Musique (IRCAM), Paris,
France. After college, he wrote and conducted modern concert music.
In 2005, his orchestral song L’Histoire d’eau
was sung by Grammy Award-winning soprano Susan Narucki at Carnegie
Hall; he conducted his score to Yonggang Wu’s celebrated
silent film The Goddess at the Film
Society of Lincoln Center; and he conducted his electric guitar
concerto Black Fire in Central Park, a collaboration with
French artist Pierre Huyghe. The film of the event, A
Journey That Wasn't, was seen by tens of thousands at the
Whitney Biennale,
the Tate
Modern in London, and the Musee
de l’art moderne in Paris. His music is avaiable on Wergo
(Germany).
His modern music group that he founded with composer Kirk Noreen,
Sospeso,
launched by a gift from artist/musician Yoko Ono Lennon, produced
many concerts and received many awards, including the prestigious
2003 DNA Award from Arts International; three consecutive Fodorprizes
from the Siemens Foundation, Munich; grants from National Endowment
for the Arts, Rockefeller Brothers Foundation, Mellon Foundation,
New York State Council on the Arts, Cary Trust, and more. Sospeso
found acclaim among the public and the critical establishment. The
New York Times wrote of one of the performances "occasionally
there comes along a concert that takes you by surprise and starts
you listening all over again." Joshua stepped down from his role
as artistic director of Sospeso in 2006 but continues to act as advisor.
He’s completing his doctoral degree in music at Columbia University.
A fellow of the faculty, he has studied film directing in masterclasses
there with Wim Wenders, Oliver Assayas, and others, and he currently
teaches music history at Columbia. His first short film, The Kiss,
a collaboration with Paul Bozymowski, was praised by the New York
Times as “alluring,” and his first feature as screenwriter/co-director,
The Standard Man, is hitting the
festival circuit in 2009.
Jonathan Gray, Legal
A partner in the entertainment law firm of Gray Krauss LLP, Jonathan
Gray advises the production. He has served as legal council on dozens
of studio and independent feature films including The Station
Agent (2003), Teeth (2007) and the Nicolas Cage thriller
Bangkok Dangerous. Gray, a former chair of the New York State
Bar Association Committee on Motion Pictures, is also an award-winning
producer of independent feature films.
Jeff Pucillo (Ryan) is a native New Yorker currently in production
on his second feature film collaboration with Cuban director Miguel
Coyula. Their previous collaboration was the multiple award-winning
feature Red Cockroaches. Jeff plays the son of Vincent Pastore
(The Sopranos) in the feature film Spy, currently
in post-production. Other recently completed feature films are The
Now (supporting lead) and Running Down West. He has
also performed in many of the major New York television shows, including
Law & Order: Criminal Intent, Rescue Me and
the CBS program Love Monkey. On stage, he has performed in
readings, workshops and full productions at Abingdon Theatre, Adobe
Theatre, Arclight Theatre, AMAS Theatre Lab, Blue Heron Arts Center,
Ensemble Studio Theatre, Lark Theatre, Naked Angels, New Georges,
and many more. In 1999 he performed at the Harold Clurman Theatre
in the one-man show Felicien entirely in French. Jeff is
represented by uberagent Meg Pantera.
Jenah Pelley (Erica) has worked most recently with Italian
director and actor Dario D’ambrosi in his New York feature production
The Pathology of Christ, which was promptly accepted to the
Venice Film Festival. She has also had the distinct pleasure of working
with Terrence Mann in his off Broadway venture, Hidden Voices,
along with choreographer Christopher D’amboise of the American
Ballet Theatre, and writer/director Matthew Bennett. She later collaborated
with Bennett in the making of a film based on her play Me In Ernest.
Nurit Monacelli (Jennifer) has credits which include the title
role in Strindberg’s Miss Julie (the culture project/NY
Fringe Festival), The Merchant of Venice (American Repertory
Theater, directed by Andrei Serban), A Midsummer Nights Dream
(Riverside Shakespeare Theatre), Brecht’s Caucasian Chalk
Circle (Shakespeare Festival of New Jersey) and On Golden
Pond (South Carolina Repertory Company). She has also performed
with the New York City based companies International Wow and The Rude
Mechanicals. Film and television credits include All My Children
(ABC) and As the World Turns (CBS), as well as numerous independent
films. She received her MFA in Acting from American Repertory Theatre/Moscow
Art Theatre Institute at Harvard University.
Alexis Clemente (Anita) is a native of New Jersey. She studied
at the Fashion Institute of Technology before subsequent studies at
NYU. She began her acting training with Alice Spivak, and she is currently
taking master classes with Jennifer Gelfer. Alexis has performed onstage
in William Goins’ The Mashugena Bagel, among many others,
as well as in numerous features, and she is also active as a commercial
and print model.
Nathan Dean (Andy) is a familiar presence on television’s
Law & Order, and recent films include Thick as Thieves
(1999) with Alec Baldwin, the 2000 comedy Company Man, and
Along Came Polly, where he shared a hilarious scene with
Ben Stiller.
P. J. Sosko (Zach) has been praised for his theatrical work
in New York and beyond. Feature films include Unbridled (2005),
The Reunion (2004), Company K (2004), Jane
(1999), and True Confessions of a Sushi Addict (1999). He
has also appeared on Law & Order: Criminal Intent.
Born in New York’s Spanish Harlem, Izzy Ruiz (Mikey)
was protected as a child by guardian angels that included several
notable gangs, including the Savage Nomads, the Savage Immortals,
and the Savage Skulls. He attended Ithaca and Baruch Colleges, majoring
in business administration but also acting. He then became a police
officer, going undercover in the narcotics division of the Queens
TNT unit. His experience and background helped him rise quickly within
the unit, and he began working in The Bronx, Manhattan, and Brooklyn,
and was awarded the Medal of Valor for an incident that nearly cost
him his life. His real-life undercover roles - as a white collar business¬man,
a junkie, an organized crime leiutenant, a small business owner, a
city inspector, a welfare recipient, and many others - trained him
as an actor. A chance meeting with actor and former cop David Zayas
(Oz) led to Izzy’s acceptance in the William Esper
Studio, where he studied with Esper.
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